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John Tranter’s 2012 Tapa Page —

page 078

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Text:
[ Lower right, colour photo of Australian poet Toby Fitch, bearing legend in green ink capitals below: TOBY / FITCH ] [ below that, appliqué yellow rhomboid, on top of that, a smaller pale blue appliqué triangle ] [ pale blue ink: ] in Australian poetry of the / 1970s, and its relation to / the concept of experimental / form in general. [ yellow horizontal ink line follows ] [ green ink: ] Toby Fitch: ‘Reading Rawshock’ / [ range right ] Reading / [ purple ink: ] ‘Rawshock’ is a long / poem in ten parts, a reshaping / of the Orpheus and Eurydice / myth, an experiment in / pattern using the original / ten Rorschach ink blots / as templates, and a / bad pun to boot. / The poem manip- / pulates the voices of / O, E, U and I (A is Absence ) / [ range right: ] Absence / /

Rorscharch ink blot.
Rorscharch ink blot.

Commentary:
Rorschach ink blots: ‘The Rorschach test (also known as the Rorschach inkblot test, the Rorschach technique, or simply the inkblot test) is a psychological test in which subjects’ perceptions of inkblots are recorded and then analyzed using psychological interpretation, complex algorithms, or both. Some psychologists use this test to examine a person’s personality characteristics and emotional functioning. It has been employed to detect underlying thought disorder, especially in cases where patients are reluctant to describe their thinking processes openly.[4] The test is named after its creator, Swiss psychologist Hermann Rorschach.’ Wikipedia.

Links: Cover: Cover Front Inner, Cover: Cover Front,
p.001, p.002, p.003, p.004, p.005, p.006, p.007, p.008, p.009, p.010, p.011, p.012, p.013, p.014, p.015, p.016, p.017, p.018, p.019, p.020, p.021, p.022, p.023, p.024, p.025, p.026, p.027, p.028, p.029, p.030, p.031, p.032, p.033, p.034, p.035, p.036, p.037, p.038, p.039, p.040, p.041, p.042, p.043, p.044, p.045, p.046, p.047, p.048, p.049, p.050, p.051, p.052, p.053, p.054, p.055, p.056, p.057, p.058, p.059, p.060, p.061, p.062, p.063, p.064, p.065, p.066, p.067, p.068, p.069, p.070, p.071, p.072, p.073, p.074, p.075, p.076, p.077, p.078, p.079, p.080, p.081, p.082, p.083, p.084, p.085, p.086, p.087, p.088, p.089, p.090, p.091, p.092, p.093, p.094, p.095, p.096, p.097, p.098, p.099, p.100, p.101, p.102, p.103, p.104, p.105, p.106, p.107, p.108, p.109, p.110,
 Cover: Cover Rear Inner, Cover: Cover Rear.

These are scans of pages of a Tapa Notebook, filled out by Australian poet John Tranter for the University of Auckland Library. It recounts his experiences in Auckland in March 2012 at the University’s symposium ‘Short Takes on Long Poems’. John has published an internet journal with similar material. This Notebook has the advantage of handwriting, doodles, decoupage and lots of colourful New Zealand stamps. Copyright Notice: Please respect the fact that all the material on this site is copyright © and the individual authors 2012 to 2016 et seq. It is made available here without charge for personal study and enjoyment by individuals only. It may not be stored, displayed, published, reproduced, or used for any other purpose.

 

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