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2016-07-07 by JT

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John Tranter’s 2012 Tapa Page —

page 086

Follow the links below:

Text:
[ colour photo top left, Hilary Chung reading from a paper, titled “hilary-chung.jpg”. Color photo bottom right, Ella O’Keefe at her laptop computer, Hilary Chung in the background, titled ‘ella-okeefe-hilary-chung.jpg’. ] [ purple ink: ]
Friday 30 March 2012 / 9 am coffee. / [ horizontal purple ink line ] 9:30–10:30 am Session 6 / Worlds Apart / Chair: Hilary Chung / [ wide horizontal purple ink line, interrupted by the descender or the ‘y’ in ‘Hilary’ ] [ black ink: ]
Ella O’Keefe. Bush Cosmology: / John Anderson’s non-Euclydian [sic] Eucalypt in [ his poem ] [ ‘ ] the forest set out like / the Night. [ ’ ] / [ wide horizontal yellow ink line ] [ pale blue ink: ]
Australian poet John Anderson’s book- / length poem [ ‘ ] the forest set out / like the night [ ’ ] explores the land / scape of Melbourne [ a city in Victoria, Australia ] and / surrounding areas in / Victoria. Anderson /
works to suggest there / are multiple ways to /

Commentary:
The poem discussed has a title set out in all lower case. It has been recommended by many other writers. Cover painting by John Anderson. ISBN 9781876044053. Published 1995, reprinted 2013. 116 pages. $24.95 See http://blackpepperpublishing.com/andersontfsoltn.html

Links: Cover: Cover Front Inner, Cover: Cover Front,
p.001, p.002, p.003, p.004, p.005, p.006, p.007, p.008, p.009, p.010, p.011, p.012, p.013, p.014, p.015, p.016, p.017, p.018, p.019, p.020, p.021, p.022, p.023, p.024, p.025, p.026, p.027, p.028, p.029, p.030, p.031, p.032, p.033, p.034, p.035, p.036, p.037, p.038, p.039, p.040, p.041, p.042, p.043, p.044, p.045, p.046, p.047, p.048, p.049, p.050, p.051, p.052, p.053, p.054, p.055, p.056, p.057, p.058, p.059, p.060, p.061, p.062, p.063, p.064, p.065, p.066, p.067, p.068, p.069, p.070, p.071, p.072, p.073, p.074, p.075, p.076, p.077, p.078, p.079, p.080, p.081, p.082, p.083, p.084, p.085, p.086, p.087, p.088, p.089, p.090, p.091, p.092, p.093, p.094, p.095, p.096, p.097, p.098, p.099, p.100, p.101, p.102, p.103, p.104, p.105, p.106, p.107, p.108, p.109, p.110,
 Cover: Cover Rear Inner, Cover: Cover Rear.

These are scans of pages of a Tapa Notebook, filled out by Australian poet John Tranter for the University of Auckland Library. It recounts his experiences in Auckland in March 2012 at the University’s symposium ‘Short Takes on Long Poems’. John has published an internet journal with similar material. This Notebook has the advantage of handwriting, doodles, decoupage and lots of colourful New Zealand stamps. Copyright Notice: Please respect the fact that all the material on this site is copyright © and the individual authors 2012 to 2016 et seq. It is made available here without charge for personal study and enjoyment by individuals only. It may not be stored, displayed, published, reproduced, or used for any other purpose.

 

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Auckland 2012 Symposium, part one

does a work just hit a certain number of pages? §

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Alan Botsford: on Joseph Brodsky

like the proverbial two ships — I but a rowboat, he a battleship  — passing in the proverbial night. §

Anthony Howell: a few words on Alain-Fournier

He is more interested in the intensity of his perception than in some impression of reality. §

Arpine Konyalian Grenier: 2 poems

give me the story you say / there is no story §

Auckland 2012 Symposium, part three

All poems take time to write §

Auckland 2012 Symposium, part two

Or does it have to engage… time as well as space? §

Cover image for JPR06: based on ‘Syncromy in orange major’ (1919) by Australian artist Roland Wakelin, 1887-1971, painted when the artist was in his early thirties.

Roland Wakelin and Lloyd Rees taught John Tranter art and composition in 1961. §

Elisabeth Frost: on Rachel Blau DuPlessis

So this work is at once longstanding and a long time coming. §

Emily Bilman: Geoffrey Hill’s Poetry

the technical perfecting of a poem is an act of atonement §

Jesse Glass: Three pieces

A surd ditty was the common coin in our encoyded X-changes §

Ken Bolton: A Poem for Philip Whalen

It’s the light I like, / & it’s late. §

Michael Rothenberg: Bozo the Slick

I will not follow / The plot of a narcissistic madman §

Michael Witts: Two deaths; and two poems

Frank O’Hara and James Dean; Hockney and Cavafy §

Norman MacAfee: Afghanistan and the Effects of War on Men

my sister / born 1939 / the year / war begins. §

Simon Collings on British poet Roy Fisher

Perloff’s championing of Fisher’s ‘experimental’ work is important §

Simon Collings: The Scale of Artifice

suggests an affinity between her [Veronica Forrest-Thomson’s] ideas and those of later avant garde writers. §

Tranter: Tapa-1

John Tranter’s 2012 Tapa Notebook Look among the links on this page for Navigation §

 

Vincent Katz: David Meltzer, 1937-2016

There are ups, there are downs. There is laughter! There’s weeping! §

Vincent Katz reviews Phaedra(s) at BAM

Isabelle… is captivating in whatever role she takes on §

Ward Ritchie: My Life in Printing (second quarter of UCLA interview) 170 pages

[in Paris] The 20s…was the period of the…inundation of young [US] writers §

JPR08

JPR06, March 2017

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